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20

WHAT IS THE BEAUTY IN 21ST CENTURY

Enero 2024
Introduction     Studies     Research     Reviews

Introduction

MUSICCO, Daniela

What is the beauty in 21st century

What is the current situation of beauty, what meaning does it have, what meaning does It give to human existence; It is sought from philosophy, psychiatry, history, theology, in different media such as painting, photography, cinema or advertising. From Plato to Nietzsche, from Frank Capra to Fellini, Sorrentino, Benigni or Menteverde, it is responded to i n different ways, it is perceived in different ways, but beauty has its own truth and on that path of encounter lies neatness, purity, goodness.


MUSICCO-NOMBELA, Daniela

What is beauty in the 21st century

Comunicación y Hombre. 2024, nº20




What i s the current situation of beauty, what meaning does it have, what meaning does it give to human
existence; It is sought from philosophy, psychiatry, history, theology, i n different media such as painting,
photography, cinema or advertising. From Plato to Nietzsche, from Frank Capra to Fellini, Sorrentino,
Benigni or Menteverde, it is responded to in different ways, it is perceived in different ways, but beauty
has i ts own truth and on that path of encounter lies neatness, purity, goodness.1. Introduction
The beauty that attracts us seems to escape machines and algorithms and maintains a high
component of subjectivity, of irrationality; It is the beauty of Barthes' punctum, explained in
The Camera Lucida (1980), although he felt somewhat excluded: «The image for me is
fundamentally painful, because that painful punctum can also be a punctum of happiness.
Photography is not only about fixing the image in an eternal present but also about
participating in a trace of the world that contains us. The image is what I am excluded from,
because every photograph is a space waiting to be explored and a time with a future. Photography is a trace, but it is more of a trace, a trace of the presence of a subject in the world. In the book The Mystery of the Camera Lucida, written by psychoanalyst Serge Tisseron (2000), the author points out that Barthes conceived his
theory book on photography as a tribute to the melancholic memory of his mother's death.
From that melancholy, without falling into atheistic Oedipal psychiatric reductionism, the powerful bond of love exhales.


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Studies

GONZÁLEZ REQUENA, Jesús

The origin of beauty: the primordial imago

Comunicación y Hombre. 2024, nº20

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JIMÉNEZ GONZÁLEZ, Marcos

Metamorphosis and fragmentation of the beautiful: brief reflection

Comunicación y Hombre. 2024, nº20

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MADRID DEL CAMPO, Lara; NAHUEL SANGUINET, Luis and DÍAZ LUCENA, Antonio

Beauty in the 21st century: between bling-bling and the return of the canon

Comunicación y Hombre. 2024, nº20

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VICENTE FERNÁNDEZ , Pilar

The beauty discourse in cosmetic and brand advertising: promises and messages aimed at female audiences

Comunicación y Hombre. 2024, nº20

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GATO BERMÚDEZ , María José

Aesthetic emotions and education

Comunicación y Hombre. 2024, nº20

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TILLERÍA AQUEVEQUE, Leopoldo

An ancestral and creative goddess. Beauty in the 21st century as the shining of the saving power

Comunicación y Hombre. 2024, nº20

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VALVERDE ZARAGOZA , Isabel and REY ARISTIMUÑO , Diego G.

Approaches to the ideas of origin and desert in Argentine landscape painting at the end of the 19th century

Comunicación y Hombre. 2024, nº20

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Research

DE BERNARDIS, Ilenia

Sterne's influence in Uno, nessuno e centomila, by Luigi Pirandello

Comunicación y Hombre. 2024, nº20

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CARRERO MÁRQUEZ , Oliver; MAS IGLESIAS, José Manuel and FERNÁNDEZ-LORES, Susana

Influencers and Peers in sexualized communication on Instagram. Does the gender of the recipient influence the level of engagement of this communication?

Comunicación y Hombre. 2024, nº20

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PEÑA-JIMÉNEZ, Palma

Misinformation and fake profiles. Twitter and the Lacambra case

Comunicación y Hombre. 2024, nº20

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Reviews

ENCINAS CANTALAPIEDRA, Arturo

Complex anime. Narrative ambiguity in Japanese animation

Comunicación y Hombre. 2024, nº20

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