Abstract
This article aims to analyze the work of Chema Madoz, one of the most important Spanish photographers within the national and international art scene. The first part reflects on the sculptural and objectual character of an artist who, even using photography as a creative language, enters a more complex and rich visual and conceptual territory. The second part analyzes and studies the decisive influence that the textual sphere (through the presence of the word, the text and the book as a plastic object) – exerts, ever more increasingly, in all his work.
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