The transformation of musical audiovisual genre in the net. Lipdubs as vestiges of musical film
This article determines what remains of the musical film as genre in the new musical formats of the 2.0 communication. The citizen public / creator of the new communicative paradigm produces and promotes the lipdubs with a semi-amateur perspective, an ideological or corporative promotion, familiar surroundings, an aesthetic of improvisation, and the anonymous and collective character of their participants. New musical formats represent a transition from the musical film to the network in which the essential attributes of the former are maintained, but where its connotations and some relevant traits change, becoming a ludic presentation of the society itself.